![]() ![]() You may end up wondering what keeps Berenger from changing like everyone else: is it his state of mind, his 'values', his drinking? And what could be the real-life version of the rhinos and their chaos, and Berenger? Powerful. ![]() ![]() is a bit heartbreaking to follow, but it's also interesting to see how other people in the play react to the rhinos. Berenger's bewilderment, fear, defiance, loneliness etc. I feel the first one, Rhinoceros, is the strongest (and its first London play was produced by Orson Welles). Tragedy and (darkish) humor go around and around in them, and they may make you think of what they could be talking about, of real-life themes? The latter two are one-acts, and are a bit older than Rhino, here each play comes with information about the first plays in Paris and London, and the actor list, plus there is information about stage sets, objects, clothes, and possible looks for the actors. These three plays from one of the founding fathers of the theatre of absurd really do fit that description. ![]()
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